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Artists from A-Z Candida Höfer

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  • Baloise Basel II (2002)
    Baloise Basel II
    Artist: Candida Höfer Dating: 2002 Type: Photography Material: C-print on paper Measures: 85 x 85 cm Acces / purchase date: 2019 Inventory number: 1577 Copyright: © Candida Höfer, ProLitteris, Zürich
  • Allgemeine Lesegesellschaft Basel III (1999)
    Allgemeine Lesegesellschaft Basel III
    Artist: Candida Höfer Dating: 1999 Type: Photography Material: C-print on paper Measures: 85 x 85 cm Acces / purchase date: 2001 Inventory number: 0760 Copyright: © Candida Höfer, ProLitteris, Zürich
  • Anatomisches Institut der Universität Basel I (2002)
    Anatomisches Institut der Universität Basel I
    Artist: Candida Höfer Dating: 2002 Type: Photography Material: C-print on paper Measures: 152 x 152 cm Acces / purchase date: 2002 Inventory number: 0808 Copyright: © Candida Höfer, ProLitteris, Zürich
Taking no heed of the latest technical possibilities or digital worlds, German artist Candida Höfer adheres to an analog photographic concept of the image which has—precisely because it is so straightforward and timeless—lost nothing of its persuasive quality. Höfer has been photographing interior spaces, devoid of human presence, with an unerring compositional approach since the 1980s.

In their objectivity Höfer’s photographs bear witness to a critical and detached viewpoint that bears comparison with that of a scientist focused entirely on her research subject. What piques Höfer’s interest is the semi-public sphere. Her approach is like that of a sociologist analyzing a test run of cultural devices that condition and regulate the way people interact in our society. Höfer is interested in the spaces that have been created for people to both learn and enjoy themselves in (such as theaters and opera houses) as well as the spaces where people nurture and expand their knowledge about themselves, their history, and their culture (such as libraries and museums).

Höfer had already worked in Basel in the 1990s. In March 2002, with a view to her forthcoming exhibition at Kunstforum Baloise in the summer, she launched a new “test run” in Basel. The outcome was a series of 25 photographs created in nine places. They show, for example, the Painting Gallery of the Kunstmuseum Basel, but they also feature interior spaces that are less well known, such as the library of the Frey-Grynaeisches Institut of the University of Basel, as well as other spaces that tend to be on the outer fringes of collective awareness, such as the Anatomical Institute of the University of Basel. In the Baloise buildings Höfer honed in, for instance, on the staff restaurant that had been designed in the early 1980s. Her photographs document the space in its original state, shortly before its refurbishment in 2006.

Martin Schwander

Further works by Candida Höfer in the Baloise art collection:

Inv. no. 0759, Öffentliche Kunstsammlung Basel III, 1999, C-print on paper, 85 x 85 cm

Inv. no. 0761, Öffentliche Bibliothek der Universität Basel II, 1999, C-print on paper, 85 x 85 cm

Inv. no. 0762, Staatsarchiv Basel-Stadt IV, 1999, C-print on paper, 85 x 85 cm

Inv. no. 0763, Kunstmuseum Basel VIII, 1999, C-print on paper, 85 x 85 cm

Inv. no. 0764, Kunstmuseum Basel I, 1999, C-print on paper, 85 x 85 cm

Inv. no. 0765, Kunsthalle Basel, 1999, C-print on paper, 152 x 152 cm

Inv. no. 0809, Baloise Basel III, 2002, C-print on paper, 152 x 152 cm

Inv. no. 0810, Kunstmuseum Basel I, 2000, C-print on paper, 152 x 152 cm