1904–1991
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Blick ins Kleinbasel (bei der Johanniterbrücke) (um 1984) Blick ins Kleinbasel (bei der Johanniterbrücke) Artist: Karl Moor Dating: um 1984 Type: Painting Material: Oil on canvas Measures: 65 x 100 cm Acces / purchase date: 1984 Inventory number: 0284 Copyright: © Courtesy Karl Moor estate; Fotos: Christian Baur, Basel -
Baustelle (1963) Baustelle Artist: Karl Moor Dating: 1963 Type: Painting Material: Oil on canvas Measures: 80 x 100 cm Acces / purchase date: 1976 Inventory number: 0279 Copyright: © Courtesy Karl Moor estate; Fotos: Christian Baur, Basel -
Auf dem Petersplatz (Basel) (1948) Auf dem Petersplatz (Basel) Artist: Karl Moor Dating: 1948 Type: Painting Material: Oil on canvas Measures: 150 x 130 cm Acces / purchase date: 1964 Inventory number: 0277 Copyright: © Courtesy Karl Moor estate; Fotos: Christian Baur, Basel -
Morgenstraich (Basler Fasnacht) (1983/1984) Morgenstraich (Basler Fasnacht) Artist: Karl Moor Dating: 1983/1984 Type: Painting Material: Oil on canvas Measures: 145 x 165 cm Acces / purchase date: 1984 Inventory number: 0283 Copyright: © Courtesy Karl Moor estate; Fotos: Christian Baur, Basel -
Abendstimmung am St. Johann-Rheinweg (1956) Abendstimmung am St. Johann-Rheinweg Artist: Karl Moor Dating: 1956 Type: Painting Material: Oil on canvas Measures: 76,5 x 100,5 cm Acces / purchase date: 1960 Inventory number: 0278 Copyright: © Courtesy Karl Moor estate; Fotos: Christian Baur, Basel -
Hüninger Kanal (1966) Hüninger Kanal Artist: Karl Moor Dating: 1966 Type: Painting Material: Oil on canvas Measures: 42 x 71 cm Acces / purchase date: 1966 Inventory number: 0280 Copyright: © Courtesy Karl Moor estate; Fotos: Christian Baur, Basel -
Imbergässlein (um 1970/1972) Imbergässlein Artist: Karl Moor Dating: um 1970/1972 Type: Painting Material: Oil on canvas Measures: 98,6 x 64 cm Acces / purchase date: 1974 Inventory number: 0281 Copyright: © Courtesy Karl Moor estate; Fotos: Christian Baur, Basel
Stylistically he belongs to the 'tonal Basel school', but he was also inspired by Impressionism. He was able to create a quiet harmony and balance in his paintings, often with very impasto application of paint and contouring of forms. True to his style throughout his life, he occupies an unmistakable place in the panorama of Basel painters.
Galerie HILT