Xinyi Cheng, 1989, lives in Paris, France
Foto: mukom
Xinyi Cheng tackles the genre of portraiture and imbues it with psychology, social relations, and personal fascination. As a female painter mainly choosing male models, she subverts the archetypal relation that has prevailed in this genre for centuries. The portraits are painted in undefined settings and range from classic compositions to extreme close-ups. The pictorial treatment varies from flat to detailed, from thin to thick, and from realistic to symbolic. Depicted in unrealistic but expressive colors, always mastered as an attractive combination and palette, the subjects of Xinyi Cheng's works are as much represented as they are fantasized.
In addition to the cash prize, Baloise acquires a group of works by the award winners and donates them to two important European museums. The works of Xinyi Cheng were presented to the collection of the Hamburger Bahnhof - Museum für Gegenwart, Nationalgalerie - Staatliche Museen zu Berlin
Gallery: Balice Hertling, Paris, France
Jury members:
Marie-Noëlle Farcy, Curator/Head of Collection, MUDAM, Luxembourg; Gabriele Knapstein, Head of Hamburger Bahnhof – Museum für Gegenwart, Berlin; Harald Falckenberg, Sammlung Falckenberg, Hamburg; Lionel Bovier, Director Musée d'art moderne et contemporain (MAMCO), Geneva and Martin Schwander, Fine Art Advisor of Baloise, Chairman of the jury.
- Interview with Xinyi Cheng at Art Basel 2019
- Artists Talk Art Basel 2019
- Media information: 21st Baloise Art Prize awarded at Art Basel 2019 (PDF, 136 kB)
- Xinyi Cheng at Hamburger Bahnhof Berlin
- Interview with Xinyi Cheng in her exhibition "The Horse with Eye Blinders" at the Museum für Gegenwart, Berlin
- Baloise Art Prize: Third and fourth donation to Hamburger Bahnhof in Berlin